SLAVONIC SONGS AND POPULAR OPERA ARIAS
VOCAL MUSIC, SO CLOSE
SLAVONIC SONGS AND POPULAR OPERA ARIAS
Lucyna Jarząbek
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Program
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Last event date: Tuesday, November 13 2018 7:00PM
Tchaikovsky: Six Romances, Op. 73 – 6. Snova, kak prezhde, odin (Again, as Before, Alone)
Tchaikovsky: Six Romances, Op. 63 – 6. Serenada: O ditya, pod okoshkom tvoim (Serenade: O child, beneath thy window)
Rahcmaninov: Twelve Romances, Op. 14 – 11. Vesenniye vodï (Spring Waters)
Szymanowski: Twelve Kurpian Songs, Op. 58 – 1. Lecioły zórazie (White Swans), 4. U jeziorecka (At the Lake), 7. Ściani dumbek (In the Dark Forest)
Szymanowski: Three Fragments for the Poems by Jan Kasprowicz, Op. 5 – 1. Swiety Boze (Holy God), 2. Jestem i placze (I am suffering and crying)
Moniuszko: Paria! On Paria’ – Neali’s recitativo and romance from Paria
intermission
Gounod: ‘O Dieu! que de bijoux!... Ah, je ris’ – Marguerite’s recitativo and aria from Faust
Dvořák: ‘Měsíčku na nebi hlubokém’ – Rusalka’s aria from Rusalka
Mozart: Temerari! Sortite fuori di questo loco!... Come scoglio’ – Fiordiligi’s recitativo and aria from Così fan tutte
Massenet: ‘Il est doux, Il est bon’ – Salome’s aria from Hérodiade
Menotti: ‘To this we've come’ – Magda’s aria from The Consul
Puccini: Sola, perduta, abbandonata’ – Manon’s aria from Manon Lescaut
Puccini: ‘Mario! Mario! Mario!’ – Duet of Tosca and Cavaradossi from Tosca
Puccini: ‘Tu, tu, amore? tu?’ – Duet of Manon and Des Grieux from Manon Lescaut
Lucyna Jarząbek (soprano), Boldizsár László (tenor)
Anna Lasek-Starzec (piano)
This concert programme, which comprises two halves of very different genres and moods, is made whole by the featured artists. The richness of the programme promises to be a real travel experience in both time and space. The Slav songs of the first part of the evening are as yet not well known in Hungary but are gaining in popularity. This recital offers a glimpse into the world of Russian and Polish Romanticism: the romance-inspired works of Tchaikovsky, Rachmaninov and Moniuszko are complemented by the remarkable songs of Szymanowski. The second half is a selection of the most popular opera arias. After the intimate atmosphere of the first part of the programme, here the focus is on exploring the limits of vocal capabilities. Attila Fekete, one of the lead tenors at the Hungarian State Opera, has been a firm favourite of Budapesters for two decades; Lucyna Jarząbek came to the attention of Budapest audiences – and won their adoration – at the 2nd International Éva Marton Singing Competition.
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